Before you decide on the right book cover design, you should have a complete and polished manuscript in front of you. There are several elements of your book cover design that depend on both your storyline and your book’s length. The cover is one of the most critical elements of your book. It’s the advertisement for your story, the sizzle that sells. When properly executed, it attracts the eye and tempts readers to look inside. But hitting the right note takes thought, discussion, revision…and time.
With over one million books being published every year, readers will have difficulty discovering your masterpiece unless you find a way to break through the clutter, get people’s attention, and convince them to crack open your book and start reading. Following these book design basics is a good place to start, so let’s take a look at the anatomy of a book cover to create a cohesive look that appeals to your readers.
Think of your front cover as the preview of your book. Just like a movie preview is there to help viewers decide if they want to spend $20 to see a film, your front cover is what your reader is going to use to judge whether they want to invest their time and money into reading your story. This is your chance to hook them.
There are two main parts of your front cover: imagery and typography.
Book Cover Imagery
Your imagery could encompass a number of things: you could use a photograph, an illustration, geometric shapes, or just an interesting play on color. Whatever imagery you decide to use, you should showcase it in a way that feels true to the spirit of your book. So, for example, if you wrote a memoir about camping in Yosemite, you might have an image of a tent with Half Dome looming in the background.
You also want to make sure you use your imagery in a design-friendly way. Make sure that your image doesn’t overwhelm your typography, and make sure it’s laid out in a way that feels balanced; you don’t want to have a ton of imagery in the top right corner of the cover and then nothing on the other three corners.
Book Cover Typography
The typography on your cover should include three things: your book’s title, the subtitle (if you have one), and the author name. Make sure to use text hierarchy to bring attention to the more important text (for example, you’ll want your title text to be larger than your subtitle text). In terms of where your text should go, you can put your title on the top of your cover or toward the bottom; just make sure you put it somewhere above your name so it’s the first thing people read. For bestselling authors, their name may be larger than the book title, but until you’ve achieved bestseller status, we recommend making your book’s title the focal point of your cover instead of your author name.
You want to be sure all type is clear and easily readable. Creativity is great—as long as it doesn’t get in the way of clarity. Avoid fancy type fonts that hide the title and other information in a cloud of swirls and other flourishes.
If you’re publishing an ebook, pay extra attention to how your cover looks at a small size, as most people will be viewing it as a tiny thumbnail. Make sure you have one clear visual element that tells your story and makes your cover stand out on the screen.
But what does a well-designed cover look like? Here are eight book cover design tips to keep in mind:
When it comes to how much your cover should give away, think of it in terms of the “The Three Bears Principle”: not too much, not too little…but just enough. When a potential reader picks up your book, they should at least get a general framework of what they can expect between the front and back cover.
Your cover design should hint at the overall theme and plot of the story without giving away any major plot details or spoilers. By giving potential readers a sneak preview, you’re pointing them to the information they need to make an informed decision on whether your story is one in which they want to invest.
Use your book cover design to start building that connection. Whether it’s overt (like adding a photo or illustration of your main character) or subtle (like visually alluding to a significant part of their character, like the bowler hat they’re never without or their cherished ‘63 Bug), using your cover as a way to start building the relationship between your main character and your reader will help you attract the kind of audience that’s going to want to hear your protagonist’s story.
The cover of The Curious Incident Of The Dog In The Nighttime by Mark Haddon incorporates multiple elements of a well-designed cover. The designer alludes to the plot with the graphic of the dog and pitchfork, and the whimsical font is a great representation of the child protagonist.
Your book cover design should match the tone of your book in order to attract the right readers. So, if your book is humorous, the cover shouldn’t include darkly contrasting imagery with a blood red title. And if your book is likely to rip your readers’ hearts out of their chest, cartoonish illustrations with bubble fonts have no business on the front of your book.
Use fonts that are genre-appropriate and easy to read. Use text hierarchy to emphasize the important text on your cover, like your title. Create contrast between the background colors and the text to make it pop off the page and grab your readers’ attention. Leverage color psychology to elicit the right emotional responses from your readers.
Design rules are rules for a reason: they work. And when you integrate them into your book cover design, you can trust they’ll work for you.
Your book cover design isn’t a place to cut corners. You want to make sure every detail of your cover positions you as the capable and professional author you are.
Social media is a great place to run A/B testing (or split testing), where you produce two versions of the same thing but with one minor difference to see the impact of that change. The smaller the change, the more useful your learning will be.
Here are a few things you could split test for your book cover:
There is no right answer to any of these: the point of the test is to see how your target audience responds. If you just want to choose between two cover concepts you’ve already created, you can simply pit them against each other.
You can poll other authors in an indie Facebook group about what genre they think your book is, based on your cover design alone, or you can run an experiment to determine the actual marketing value of book covers by creating two Facebook ads with identical copy targeting the same audience (gender, age, location, interests), with the only difference being the cover image displayed in the ad.
Be sure to run the ads over the same timeframe (say, a week, perhaps) and expose both ads to the same amount of users (shoot for 1,000). By tracking how many users engage with the ad, you can determine which cover is more effective as a marketing asset.
To some, book cover design is a subjective art—what works for one reader might not work for another. And to a certain extent, that is true. However, tests like these can give you insight into what works for most people—and offer you a data-driven method to help your book live up to its potential. Plus, involving your potential readers in certain behind-the-scenes book decisions along the way, like cover design, can help you build a community around your book before it’s actually published.
Once you’ve hooked people with your front cover, they’ll flip your book over to find out more information. The back cover is your chance to build on the intrigue you sparked on the front cover and convince them that your book can’t be missed. In this way, the back cover is just as important as the front.
On the back cover, you can include:
Your back cover tells readers what the book is about, and if the author is qualified to write the story—and in that order. Make your book description or reviews the focus of your back cover (since those are the elements most likely to push people over the edge and inspire a purchase). Readers are trained by traditionally published books to expect the description first, the author bio second. Don’t frustrate them by deviating. Put your author bio, ISBN number, and barcode on the bottom quarter of the page.
Equally important, keep the story description snappy and the author bio short. Resist the temptation to tell readers that you own four cats, love to scuba dive, won a 4-H award in high school, and other irrelevant information.
If you’re publishing a hardcover book, some of this information can be put onto the interior flaps of the dust jacket. Similarly, if you’re publishing digitally, this info will be text on the ebook’s description page.
The last part of the book cover design that you’ll need to put some thought into is your spine. Since most bookstores shelve their books vertically, your spine is the only real way for your potential readers to easily spot your masterpiece on a shelf.
When it comes to spines, you’ll want to keep it simple. On the top of the spine, write the title (this should also be in the largest font). Then, include your author name toward the bottom, followed by your publisher imprint.
One of the biggest mistakes you can make on your book spine is to automatically use the same font that appears on the cover. Sometimes, it’s better to tweak the spine font so that it’s easy to read spine-out. Use as much of the spine width as possible for the book title—make the type large and easy to read from a distance. Avoid putting any busy imagery under the title that would make it hard to read.
When you’re designing your cover, make sure your spine design will work with your book length; if your book is less than 150 pages, you might run into some formatting issues.
Attracting more readers in an oversaturated market isn’t easy, but the physical quality of your book, including your cover, is key to getting your independently published book off the shelf and into your reader’s hands. And now that you know the anatomy of a winning book cover, you can start designing or at least better know how to judge the cover you receive from a professional designer.
This chapter was compiled from the following posts on the IngramSpark blog:
4 Ways to Make Your Book Cover Design Shine by Patti Thorn, managing partner at BlueInk Review
Book Cover Design Basics by Chris Payne, corporate controller at 99designs
How To Use Facebook Ads to Test Your Book Cover Design by Martin Cavannagh, content marketer for Reedsy
Book Design: 4 Details That Help Your Book Look Professional by Jane Friedman, editor of The Hot Sheet
What Your Book Cover Says About Your Book by L.M. Merrington, Australian author
5 Tips for Front Book Cover Design by IngramSpark Staff